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Showing posts with label Indigenous People Day. Show all posts
Showing posts with label Indigenous People Day. Show all posts

Friday, September 27, 2024

Tocabe ships frozen meals ‘anywhere in the lower 48’

Tocabe is an Osage-owned Indigenous restaurant and online store founded by Ben Jacobs, and this year they’ve released a line of ready-to-eat, elevated frozen meals. The ready-made meals are made with Indigenous-sourced ingredients

Tocabe launched its Indigenous marketplace this year, selling Native foods to the mainstream.  Microwaveable meals for adults and children are among the shippable products sourced from Native producers.  Tocabe also expects a spike in orders beginning with Indigenous People’s Day on Oct. 14 and continuing through Native American Heritage Month in November. 

Founder Ben Jacobs describes Tocabe’s Indigenous sourcing as “Native-first, local second,” meaning if a Native farmer or producer has a Native ingredient, Tocabe will source from them before relying on a local organic option.

“We source from Native producers growing and raising traditional foods, but also utilizing ingredients which have been introduced post-contact, as long as they are Native-produced,” added Katrina Salon, a representative for Tocabe.  For example, she said, “Wheat berries from Ramona Farms and olive oil from Seka Hills.” 

Tocabe created their Indigenous marketplace because they want Native food to be accessible.  Native food is not well understood, encountered or available, but Tocabe hopes to bring Native foods to everyone, Jacobs said. 

In addition to creating mainstream access to Indigenous foods, Jacobs also aims to support Indigenous economic development.  Tocabe does this by supporting the development of Native farmers, ranchers, and food producers who are building “an equitable, sustainable and innovative food system … benefitting American Indian communities.”

Tocabe’s Indigenous marketplace has products for sale from such ethical Native producers for customers to use in their own cooking – or, they can order ready-made meals in bulk bundles or individually. In a children’s line called Little Harvest, Tocabe has options like blue corn pancakes, spaghetti and bison meatballs and French toast.  In the adult line of meals, there are “elevated” options like iko’s green chili stew.

One Harvest Meal option is the “bison Sonora bowl,” which has a wheatberry and white tepary bean blended with roasted squash purée, nopales, zucchini and Navajo-grown pinto beans, with braised bison and a chili sauce.  Meal bundles include the “Best of Bison” bundle, with the bison Sonoran bowl alongside bison chili, bison posu, sausage posu, wild rice jambalaya and a “sausage sunset” – similar to the Sonoran, but with roasted yams, bison sausage and other variations in sauce and the type of beans.  

The meals do have some preservatives, Salon said, due to some of the ingredients they include in their ready-made meals.  But Tocabe does not add any additional artificial or synthetic preservatives, according to Salon.

The company has scaled-up their distribution and they’re ready to fill all the orders they’re expecting through the fall, said Salon.  From home cooks who want to source Indigenous ingredients for their Thanksgiving menus to busy professionals who want fast, nutritious options for dinner, Tocabe is hoping to be one of the options that comes to mind.

Their frozen Indigenous meals can be prepared with a microwave, in the oven, or by heating in a sauté pan after defrosting.  To give one of the ready-made meals a try – or to order Indigenous-sourced ingredients – visit https://shoptocabe.com/.    

STORY: https://osagenews.org/tocabe-ships-frozen-meals-anywhere-in-the-lower-48/?utm_source_platform=mailpoet

Saturday, October 8, 2022

Historian Roxanne Dunbar-Ortiz: Indigenous Peoples’ Day Shared with Columbus Day (2021)...

 

 

2022, just 14 states

Confused?
 

Indigenous Peoples Day

 

 

 

Sunday, October 10, 2021

Joe Buffalo short documentary: Indigenous People's Day

 WATCH NOW

Joe Buffalo, Indigenous Canadian Skateboarder Who Survived Ugly Residential School System

Skateboarder Joe Buffalo
NewYorker.com/Luminus Films
'Joe Buffalo' director Amar Chebib
Director Amar Chebib Luminus Films

It’s a curious fact that some of the most notable documentaries of recent years have revolved, in one or another, around skateboarding.

Minding the Gap, the 2018 documentary by Bing Liu, earned an Academy Award nomination for its story of Liu and two friends who gravitate towards skateboarding as an escape from difficult upbringings. Learning to Skateboard in a Warzone (If You’re a Girl), director Carol Dysinger’s 2020 film on a skateboarding school in Afghanistan that caters to girls, won the Oscar for Best Documentary Short Subject.

Skateboarding plays a central role in Joe Buffalo, a short documentary directed by Amar Chebib that’s a contender for Oscar consideration this year. The film centers on the eponymous Joe Buffalo, who was born to a family of Samson Cree heritage on the plains of Alberta, Canada. As a kid he saw a cousin pull off tricks on a board and became hooked himself.

Joe Buffalo
Joe Buffalo NewYorker.com/Luminus Films

“For me, skateboarding was definitely like a savior, given the circumstances of me growing up,” Buffalo says in the film, “having to deal with the cards I was dealt.”

The cards had to do with being raised in a country that dedicated resources to eradicating indigenous culture. At the age of 11, Buffalo was taken from his family and sent away to a residential school, an education system for indigenous children that persisted in Canada from the 1600s until the late 1990s. The system’s purpose was to reeducate children from a Christian point of view.

“They were boarding schools set up by the government and run by the church to destroy my people,” Buffalo says in voiceover in the film. “Kill the Indian and save the child.”

An estimated 150,000 First Nation, Inuit and Métis children were sent to the schools across the centuries.

“During the years that the system was in place, children were forcibly removed from their homes,” according to the Canadian government, “and, at school, were often subjected to harsh discipline, malnutrition and starvation, poor healthcare, physical, emotional, and sexual abuse, neglect, and the deliberate suppression of their cultures and languages.”

Once free of the schools, Buffalo resumed his skateboarding, reaching a skill level that set him up to go pro. But the trauma of the residential schools had produced psychic injuries. And when he did get the chance to become a professional, he felt unworthy—low self-esteem having been drilled into him. He spent much of his 30s coping with alcoholism and drug addiction, interrupted by bouts of incarceration.

The documentary follows its subject’s journey to sobriety and to fulfill his dream of turning pro. Chebib, a Syrian-Canadian, grew up skateboarding in the Middle East and met Buffalo back in 2005 in Montreal’s skateboarding scene. They reconnected more recently in Vancouver, where both now live, and the documentary project was born.

The New Yorker has released the film on its website in time for Indigenous People’s Day (the holiday still celebrated in some places as Columbus Day). Joe Buffalo has won numerous awards, including the audience award at SXSW and audience and jury awards at the Regard film festival in Saguenay, Québec and the Calgary Underground Film Festival.

American skateboarding legend Tony Hawk has joined the film as an executive producer. Hawk sent a message to Deadline about his support for the documentary, noting, “Joe Buffalo is an inspiring story of skateboarding as a means of escaping the trauma of the infamous Indian Residential School system.”

The residential schools were not only a Canadian phenomenon. The U.S. had its own system of Native American boarding schools, particularly in the American West, that served a similar purpose as their Canadian counterparts. They suppressed indigenous customs, language, tribal names, in favor of an assimilationist and Christian ideology.

There has been no Truth and Reconciliation Commission in the United States, but Canada formed one to interrogate the “paternalistic and racist foundations of the residential school system.” But the wounds run deep. In May, the latest mass grave was uncovered on the site of an Indian Residential School, this one in British Columbia. It contained the bodies of 215 children who were students at the school.

**

NEW YORKER story:

Growing up on the central Alberta plains, Joe Buffalo viewed his Samson Cree heritage as a source of pride: he could trace his bloodline, on his mother’s side, to Chief Poundmaker, a revered nineteenth-century Cree leader. At age eleven, he encountered a demoralizing reality of First Nations life. Like his parents and grandparents before him, he was shipped from his reserve to a residential school, one of many boarding institutions set up by the Canadian government to, as one early founder said, “kill the Indian in” indigenous children through Christian reëducation. First in Edmonton and then in Lebret, Saskatchewan, Buffalo endured stretches of up to a year away from his family and long days of assimilationist indoctrination. At night, he shared a living space with more than two hundred classmates stacked in bunk beds. He speaks about the experience in “Joe Buffalo,” a documentary short directed by Amar Chebib: “I could hear spirits in the walls from the dark history there. . . . It definitely fucked me up.”

Tuesday, February 9, 2021

45 Years of Engaging Native Voices + How to be an ALLY


*only 0.4 % Of Primetime TV & Films have a native character

 

LINCOLN, Neb., Feb. 9, 2021 — This year, Vision Maker Media — founded in 1976 as the Native American Public Broadcasting Consortium — is celebrating 45 years of engaging Native voices in public media platforms.

“What began as a film archive to conserve and document Native American stories has, through the years, transformed into the nation’s public-media leader in content by and about America’s first people — Native Americans and Alaska Natives — for public broadcasting,” says Executive Director Francene Blythe-Lewis (Diné, Sisseton-Wahpeton, Eastern Cherokee).

With continuous support from the Corporation for Public Broadcasting and Nebraska Educational Telecommunications, Vision Maker Media’s mission empowering and engaging Native people to share their stories remains meaningful. Currently, Vision Maker Media has 28 projects in various stages of production and 34 films in public-media broadcasting, 5 of which were added in fiscal year 2020.

Vision Maker Media’s content reaches nearly 90 million Americans on public television series, including Independent Lens, POV, America ReFramed, American Masters and others.

 
NEWS from their website:
 
 
 
2021
Vision Maker Media is marking its 45th anniversary with a yearlong celebration of free commUNITY events, including thematic online film screenings, online virtual programs, and more. The Cherokee Nation Film Office is a sponsor of the 45th anniversary events.

March — Women’s History Month
* “commUNITY: Herald Native Women,” will showcase six films free to the public for 24/7 streaming all month at visionmakermedia.org.

* An online moderated panel discussion will feature Native women leaders, in partnership with Americans for Indian Opportunity (AIO), who are graduates of AIO’s Ambassadors Program—the only national leadership training that encourages Native leaders to weave traditional tribal values in a contemporary reality in order to affect positive social change and advance human rights.

April — Focus on Mother Earth and the Environment
* International Earth Day on April 22 will be observed with a community-themed online film streaming event titled, “commUNITY: Environment is Sacred.” Five films will feature themes of water, energy, Indigenous food and health. The films will be available free to the public for 24/7 streaming all month at visionmakermedia.org. Additional online events and a panel discussion are also planned.

June — Youth Media Project
* Vision Maker Media is partnering with several Native American organizations and communities with existing and sustainable youth programs. The goal is to nurture the next generation of Native youth media makers by furthering the development of the youths’ creativity through a sequence of conceptualizing, investigating and planning, to ultimately produce a short 30-60 second PSA around the topic of wellness.

October — Indigenous Peoples Day and Halloween
* Indigenous Peoples Day on October 11 will be celebrated with a free film program that will stream online from October 6-13 at visionmakermedia.org.

* On October 25-31, look for a curated encore of Vision Maker Media’s popular 2020 Halloween horror-themed film program, “Nightmare Vision.” The program is free and open to the public and will stream 24/7 at visionmakermedia.org.

November — Native American and Alaska Native Heritage Month and Veterans Day
* “commUNITY: The Meaning of Home” is a short production featuring Native veterans who have served in the U.S. Armed Forces. This is a Vision Maker Media-commissioned work by Charles “Boots” Kennedye (Kiowa). The film program is free and open to the public and will stream 24/7 from November 10-24 at visionmakermedia.org.

December — Frank Blythe Award in Native Media
* This legacy award honors Vision Maker Media’s Founding Executive Director Frank Blythe’s leadership as a path maker and recognizes a lifelong career that has supported opportunities for Native Americans and Alaska Natives in public broadcasting and radio. 

Vision Maker Media (VMM) is the premiere source of public media by and about Native Americans since 1976. Our mission is empowering and engaging Native people to share stories. We envision a world changed and healed by understanding Native stories and the public conversations they generate. We work with VMM funded producers to develop, produce and distribute programs for all public media. VMM supports training to increase the number of American Indians and Alaska Natives producing public broadcasting programs. A key strategy for this work is in partnerships with Tribal nations, Indian organizations and Native communities. Reaching the general public and the global market is the ultimate goal for the dissemination of Native public media that shares Native perspectives with the world. VMM is a nonprofit 501(c)(3) funded in part by the Corporation for Public Broadcasting (CPB)
 
FMI: visionmakermedia.orgvisionmaker@unl.edu or (402) 472-3522.
 
 
2019 Sundance: Native Shorts

 

Tuesday, September 22, 2020

Indigenous Peoples’ Day | History vs. Christopher Columbus

Indigenous Peoples’ Day has been touted as a replacement for Columbus Day for decades, but the movement never got much traction on a nationwide scale. Now, however, with increased awareness of colonizers’ atrocities against Native American and indigenous people of what eventually became the United States, Indigenous Peoples’ Day has seen a groundbreaking amount of support. Here’s what you need to know about Indigenous Peoples’ Day and why it’s so important—and why many feel that the man credited with discovering America may well deserve to be stripped of his celebratory day.



Columbus’ true history, added to the fact that Italian Americans are no longer marginalized—but native and indigenous peoples are—it’s no wonder why many are seeking to replace Columbus Day with Indigenous Peoples’ Day.



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